About Mastering
Mastering is the final process of correction, refinement and improvement of the master before it takes its way to glass mastering and CD plant.
Let’s see why a studio master would need further refinement
- It is very common and natural after the mixing process, which can last several weeks, to have differences in stereo image, dynamic range and tonal balance.
- Also, by comparing the mixes to some reference recordings we could see that they are lacking in transparency, liveliness and spatial information. With a new mix we could improve some of these elements, but this is not always possible, especially if we have already achieved a good balance.
- In other cases, we may also have undesirable noises, hiss and distortion that need to be removed.
- Moreover, many studios may lack the ideal listening conditions that most top mastering studios provide, nor do they have quality, state-of-the-art equipment.
- The most important, we have an experienced sound engineer who listens with a fresh ear,far from the recording studio, and can decide what should be the final touch to the master.
A mastering engineer, apart from being an expert in the sound processing tools, must be musically qualified,capable to understand the character and style of musical pieces. Only under these circumstances a technical and aesthetic improvement can be achieved, without any alteration of the original work of the composer, orchestrator and producer.
Many people still believe that mastering is a routine process, sometimes unnecessary or even dangerous to the material’s final condition. Wishing to lower the cost, they entrust their mix to cheap workstations for coding and essential alterations, which ends up in a CD that sounds worse than the master.
On the contrary during a serious mastering process, under excellent listening conditions and with very expensive audio tools and workstations, an experienced engineer can make considerable improvements in quality, frequency balance, dynamic range and micro dynamics, and practically rendering almost a “new” mix.
That is not meant to overstate the importance of the mastering process, which is a comparative effort. But, just as we need good material, good musicians, good orchestration and sound engineers, we also need good mastering.
People of music industry know that even a simple transfer is not so simple as a process. It is very common for production CDs to sound worse than the original mixes.
We must see Mastering as an essential final step of the recording proccess and not as the first step in the production process.
Listen to Mastered SamplesMix Checker
In order to have the best-sounding masters you need the best-sounding audio mixes. In our days many talented otherwise engineers are working in not as ideal home studio or even recording studio’s. While the results can be acceptable we offer them the ability to check their mixes and share our opinion what can be done in order to improve the audio quality mixes just before the material comes in for mastering.- You can send us some files, we will check the mixes and give you a feedback
- You may come in the studio and listen together with our experienced engineer your mixes
- We take care of your mixes using some of the best engineers in the country in collaboration with our mastering engineers
- Sometimes we may suggest some retakes or re-amping some instruments. We may do this job for you.

- You may send us stereo stems of the mixes. This way we have a better control of the mastering process with excellent results using our expert summing technics before mastering
After the mixing is done , our experienced mastering engineers will master your tracks to bring them to the best possible quality in sound.
So, with Mix Checker we can take your tracks to superb mixing, and after that, to the highest quality with the world’s best mastering.
Online MasteringAbout Us
The Athens Mastering Studio was established in 1996 with the goal to be one of the best mastering studio in the world.
The rooms are designed by French acoustic designer Christian Malcurt who has designed some of the more well-known studios in France including Plus XXX and Luc Beson famous audio post-production facility, Digital Factory.
Always at the forefront of developments in technical as also equipments and mastering technics, the studio became known throughout the world and has a broad range of clients including the majority of Greek artists as also customers from Europe and the States.
Today going into the third generation, it remains at the forefront of mastering studio’s offering to clients services of very high standard and combines the vast experience of all these years with the constant desire to create great music.


