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Suite 1 is among the best rooms for mastering worlwide in terms of design, construction and equipment.
| Sonic Studio/ Sequoia |
384kHz / 24bit Editing- Mastering Systems |
| NoNoise | Complete restoration system |
| POW-R | Optimum dither/ noise shaping for 16bit masters |
| Weiss DNA1 |
Hi-End restoration system |
| Weiss ADC2 | 192kHz/ 24bit A/ D converter |
Weiss EQ1-DΥΝ |
Dynamic Equalizer with Stereo and Mid/Side operation |
Weiss EQ1-LP |
Linear Phase Equalizer with Stereo and Mid/Side operation |
| 2 Weiss DS-1 mkII | Compressor/Limiter, Band Compressor, Deesser |
| SpectraFoo | Spectrum analyzer |
| Weiss SRC2 | Hardware Real Time Sample Rate Converter |
| Z-System | Digital Router |
| Studer 812 MkII | 1/ 4″ 7.5-15-30 ips mastering tape recorder |
| TASCAM ATR-60 | 1/ 2″ 15- 30 ips mastering tape recorder |
| Dolby 363 SR/A | Noise reduction unit |
| Quantec-Yardstick | Reverberation unit- Room simulator |
| Manley Massive Passive | Tube Analog Equalizer |
| Avalon 2077 | Pure class A Analog Mastering Equalizer |
| Dangerous Monitor |
Mastering Monitor Controller |
| Dangerous Master |
Mastering Console |
| Mytec | Peak Meter/ Loudness Meter |
| ATC SCM 200A | Active monitors.Each one with 850W, 4 channel 3-way mono-block design amplifiers with active crossovers(P4) |
| ATC SCM 0.1/15 | 650W Active Subwoofer |
| Lipinski 707 |
Hi-End monitors |
| Weiss DAC1 | 192kHz/24 bit D/A converter |
| TECHNICS SP -10 | Turntable |
| SME 312 | Tone arm with ORTHOFON MC-30 supreme cartridge (33-45 rpm) |
| SME 3009 | Tone arm with special cartridges for 78rpm |
| Graham Slee Jazz |
Phono preamplifiers |
| PANASONIC 3800 | DAT |
| FOSTEX D-10 | DAT with timecode |
| SONY PCM- 601 | Digital Player using Beta Video Tape |
| EXABYTE | ELIANT 820 |
| CD-R | SONY-924,YAMAHA 400,PLEXTOR 820 |
| DUPLICATOR | MICROBOARDS DSR-803 |
| Metric Halo LIO-8 | Hi-End audio card |
